{"id":28591,"date":"2011-02-21T11:26:00","date_gmt":"2011-02-21T11:26:00","guid":{"rendered":""},"modified":"2020-09-25T09:51:43","modified_gmt":"2020-09-25T09:51:43","slug":"comentarea-imaginii-televizate-lectura-2","status":"publish","type":"post","link":"https:\/\/rubyskynews.com\/index.php\/2011\/02\/21\/comentarea-imaginii-televizate-lectura-2\/","title":{"rendered":"Comentarea imaginii televizate. Lectura textului teoretic \u015fi literar dramatic."},"content":{"rendered":"
<\/div>

In jurnalismul de televiziune s\u00eent cunoscute \u015fase modalit\u0103\u0163i generale de al\u0103turare a imaginii \u015fi a comentariului. \u00cen func\u0163ie de caz, \u00een prelucrarea materialelor de televiziune, se folose\u015fte o singur\u0103 modalitate sau se combin\u0103 mai multe. 1. comentariu puternic\/imagini fundal (de umplutur\u0103) Atunci c\u00eend subiectul material e de factur\u0103 abstract\u0103 (indici economici, sociali) se filmeaz\u0103 imagini apropiate temei, dar f\u0103r\u0103 o leg\u0103tur\u0103 direct\u0103 cu informa\u0163ia transmis\u0103. De obicei se filmeaz\u0103 oameni \u00een strad\u0103, pentru c\u0103 orice se \u00eent\u00eempl\u0103<\/a> p\u00een\u0103 la urm\u0103 afecteaz\u0103 oamenii. Justificarea unui astfel de material (de un interes redus) se bazeaz\u0103 doar pe importan\u0163a informa\u0163iei transmise verbal. 2. comentariu puternic\/imagini generice <\/span><\/p>\n

\nModalitate foarte asem\u0103n\u0103toare cu prima. Textul rostit e sus\u0163inut de imagini prin prezentarea unui element, detaliu specific subiectului abordat. De exemplu dac\u0103 se vorbe\u015fte despre anumite date referitoare la energia termic\u0103, se pot ar\u0103ta ni\u015fte calorifere. Elementele vizuale au doar rol generic \u015fi nu redau un subiect. Folosindu-le putem men\u0163ine aten\u0163ia spectatorului timp \u00eendelungat. <\/span><\/div>\n

<\/p>\n

\n3. comentariu puternic\/imagini de ilustra\u0163ie <\/span><\/div>\n

<\/p>\n

\nSe demonstreaz\u0103 imagii ce corespund anumitor detalii din discurs: se vorbe\u015fte despre o strad\u0103 \u2013 se demonstrez\u0103 o strad\u0103, se vorbe\u015fte de o persoan\u0103 \u2013 se demonstreaz\u0103 o persoan\u0103 etc. Nu trebuie s\u0103 se abuzeze de aceast\u0103 modalitate \u00eentruc\u00eet materialul poate deveni plictisitor prin redundan\u0163\u0103. <\/span><\/div>\n

<\/p>\n

\n4. comentariu puternic\/imagini puternice <\/span><\/div>\n

<\/p>\n

\nDac\u0103 imaginea, form\u00eend un tot coerent, prezint\u0103 o poveste ce poate fi urm\u0103rit\u0103 \u015fi \u00een\u0163eleas\u0103 independent de cuvinte, comentariul poate dispare. \u00cen acest caz dificultatea redactorului const\u0103 \u00een a alterna aten\u0163ia spectatorului de la mesajul vizual la cel auditiv \u015fi invers. <\/span><\/div>\n

<\/p>\n

\n5. comentariu cu rol complementar\/imagini puternice <\/span><\/div>\n

<\/p>\n

\nImaginea practic red\u0103 realitatea, prin \u00eenregistr\u0103ri de mare tensiune, \u00eenso\u0163ite de sunetul original. Comentariul are rolul de a explica \u015fi comenta ce se vede. Astfel s\u00eent tratate subiectele dramatice \u00een plin\u0103 desf\u0103\u015furare: demonstra\u0163ii, proteste, grave etc. <\/span><\/div>\n

<\/p>\n

\nDe\u015fi comentariul e complementar, dac\u0103 e utilizat \u00een anumite scopuri, poate da o interpretare diferit\u0103 de realitate sau chiar invers\u0103 celor v\u0103zute. \u00cen acest caz vorbim deja de tehnici de manipulare. <\/span><\/div>\n

<\/p>\n

\n6. imagini f\u0103r\u0103 comentariu <\/span><\/div>\n

<\/p>\n

\nExist\u0103 dou\u0103 tipuri radical diferite de abordare a acestei modalit\u0103\u0163i: <\/span><\/div>\n

<\/p>\n

\na) Se dau \u00een emisie \u00eenregistr\u0103ri nefinisate, nemontate, cu sunet original, cu planuri lungi. Se consider\u0103 c\u0103 acestea ofer\u0103 senza\u0163ia particip\u0103rii nemediate la eveniment. Ne putem referi aici la rubrica No comment de pe canalul Euro News. <\/span><\/div>\n

<\/p>\n

\nb) \u00cen al doilea caz e vorba de poeme, eseuri vizuale \u00een care compozi\u0163ia cadrului, mi\u015fc\u0103rile de aparat, lumina, montajul, sunetul original au un rol foarte important. \u00cen rezultat se pune \u00een valoare viziunea autorului.<\/span><\/div>\n
<\/div>","protected":false},"excerpt":{"rendered":"

In jurnalismul de televiziune s\u00eent cunoscute \u015fase modalit\u0103\u0163i generale de al\u0103turare a imaginii \u015fi a comentariului. \u00cen func\u0163ie de caz, \u00een prelucrarea materialelor de televiziune, se folose\u015fte o singur\u0103 modalitate sau se combin\u0103 mai multe. 1. comentariu puternic\/imagini fundal (de umplutur\u0103) Atunci c\u00eend subiectul material e de factur\u0103 abstract\u0103 (indici economici, sociali) se filmeaz\u0103 imagini […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"aioseo_notices":[],"yoast_head":"\nComentarea imaginii televizate. 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